“RESILIENCE IS EVERYWHERE”

The following is a release from the Trust for Indigenous Culture and Health (TICAH)

During these uncertain times, we all need some good news, some light, some reassurances. Artists are those individuals in our communities who hold tremendous power to help us see what we are trying to ignore and to hold us accountable, but also to remind us of our joys and the deep and wonderful connections we have to nature and to one another.

The global pandemic has scared us and changed us, but it has also brought us together in a way that we have never seen before. Over the next two weeks, artists around Nairobi will be creating a piece to help us see just this, that we are together even though we are apart and that we are resilient.


To quote Arthur Golden “Adversity is like a strong wind. I don’t mean just that it holds us back from places we might otherwise go. It also tears away from us all but the things that cannot be torn, so that afterward we see ourselves as we really are, and not merely as we might like to be”.

With studios closed, galleries closed, museums closed, schools closed, the very livelihood of a visual artist has been closed too. There has been a rallying call for artists to get up and create rather than to ruminate on the state of the world and all that is worrying. The Internet has seen several online challenges for artists to participate in to keep them creative and working.

TICAH’s own Lockdown Challenge is just one of the many where artists have shared their work, their voices, their views, their thoughts and emotions with
the world. The Lockdown Challenge has seen over sixty-seven artists participating so far. We have also had more than three hundred works of art shared. These pieces have filled our social media feeds with beauty in the midst of emotional distress and pain going on in the world.
With the Lockdown Challenge continuing, artists were eager to take this activism to the next level with an installation to be completed by over forty artists. The aim is to celebrate our creativity and the beauty of art but also to inspire and bring hope and a sense of Kenyan resilience.

The “Resilience is Everywhere” installation supported 46 artists to work concurrently on their pieces over the course of a week. They were in isolation but together in their arts practices. Videos and photos of the work coming together were shared on social media through TICAH’s DreamKona Facebook and Instagram accounts to bring others into the creation of the work.

At the end of the week, each piece was sent, by rider, to the DreamKona space in Uhuru Gardens where a curatorial team (also being careful to maintain social distance) connected the pieces into one installation. The final work was then online and went on tour around Nairobi for everyone to enjoy and to connect with. So far we have been hosted at Archives in the CBD, Lunga Lunga, Waterfront, The Hub, TRM, and Galleria.

The installation has become more than a beautiful piece of art – it is now a mobile stage for performances of all kinds, a background for mobile art studios, classes and exhibitions.

Resilienceiseverywhere #Kenyanresilience #Resilientart

Find us on Facebook: DreamKona
Find us on Instagram: DreamKona.ke

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Democratizing The Digital Space

ResilliArt Kenya 2

The Unesco Regional Office for Eastern Africa, the Kenya National Commission for Unesco, the Ministry of Sports,
Culture and the Arts, the Creative Economy Working Group, Twaweza Communications, the Godown Arts Centre and
the Alliance Française de Nairobi have partnered to organize ResiliArt – Kenya, a digital platform of virtual debates
involving stakeholders from the culture and creative industries.
UNESCO launched ResiliArt as a global movement to raise awareness about the serious disruption of COVID-19 on
the arts and culture sector. It seeks to mobilize solidarity among artists and professionals in the creative sector while
ensuring their voices are heard at the policy level to address existing gaps and needs.
The first discussion brought together leading voices from the cultural sector to consolidate thoughts and ideas on the
impact of Covid-10 on the sector and identify opportunities to strengthen and support practice in the sector. The full
discussion can be followed here: https://urlz.fr/cWT5
This second ResiliArt debate will focus on Democratizing Digital Space. It will discuss the opportunities and challenges
within the digital space, taking a long-view approach on how to ensuring inclusivity, accessibility, and affordability,
how to bridge existing digital divides; exploring opportunities for creatives to monetize through this space; as well as
creating favorable frameworks and policies that nurture the growth of creative expression in the digital space.

MODERATOR


Joy Mboya is the Executive Director of the GoDown Arts Centre, a leading non-profit
multidisciplinary arts facility in Nairobi that provides subsidized space for Kenyan
artists and presents a diverse range of programs for local audiences. It also spearheads
entrepreneurial capacity building programs and creative sector discourses for artists
in the East Africa region. Joy has wide experience in the Kenya cultural sector, having
served on the boards of many different arts organizations in film, theatre, music, and
dance.

PANELISTS

Charles Murito is Country Manager, Google Kenya and Director of Policy & Government
Affairs, Sub Saharan Africa. For nearly two decades, Charles has worked with some of
the world’s leading technology, media, and entertainment companies, including Turner
Broadcasting Ltd, WarnerMedia & MTV Networks Africa. Charles is also passionate
about creating platforms that spotlight and showcase African talent in the visual and
performing arts.

James Wamathai is a writer, online publisher and digital rights activist. He serves as
the Director (Partnerships) at the Bloggers Association of Kenya (BAKE) and is also the
founder and CEO of the news website, hapakenya.com.

Nanjira Sambuli is a researcher, policy analyst, and advocacy strategist interested in
and working on understanding the unfolding impacts of ICT adoption and how those
impact governance, media, entrepreneurship, and culture, with a keen focus on gender
implications. She is currently a Commissioner on the Lancet and Financial Times
Global Commission on Governing Health Futures 2030, a board member at The New
Humanitarian, Development Gateway, Digital Impact Alliance (DIAL) and a member of
DFID’s Digital Advisory Panel. She is also a Ford Global Fellow.

Dr. Njoki Wamai is an actor, writer and Assistant Professor of International Relations
and Politics at the United States International University-Africa (USIU-A) in Kenya. She
obtained a PhD in Politics and International Studies at the University of Cambridge
where she was a Gates Cambridge Scholar in 2018. Her research focuses on the everyday
politics of international intervention, African politics, African feminists, and the politics
of knowledge production of Africa. Her opinions and commentaries have appeared
in international news sites including Huffington Post, Pambazuka, This is Africa, The
Conversation, All Africa, and The Daily Nation.

MUSIC

Makadem, a vibrant Kenyan performing artist, will share his Nyatiti Trap song
“Plandemic”. His stage presence, charismatic persona and powerful vocal delivery
makes him a distinctive musician

VISUAL ART

Michael Soi launched his practice in 1995 after completing his studies in fine art and art
history. Most of his work is social/satirical commentary inspired by the city of Nairobi
that addresses issues that Kenyans would rather not talk about in public. In his work, he
tackles current issues in politics and offers a satirical take on the topics that occupy our
public imagination. He has developed is a distinct visual language that combines bold
lines and bright colors to create playful compositions.

CREATIVE SECTOR ROLE IN COMMUNICATING ABOUT COVID-19

DO YOU SPEAK ABOUT COVID-19?

On 11 March 2020, the World Health Organization announced that COVID‐19 was characterized as a pandemic—a global first for coronavirus. 

The scale and severity of the COVID-19 pandemic has clearly risen to the level of a public health threat that could justify restrictions on certain rights, such as those that result from the imposition of quarantine or isolation which limit freedom of movement.

As dangerous as the virus is, the WHO communicated ways to prevent the spread and flatten the curve. However, millions of marginalized people lack basic information about how to keep themselves and their communities safe and well. Many messages are transmitted in languages that are not spoken by some people. For example, there is very little use of African languages in communicating about COVID-19. Moreover, the low levels of literacy and inaccessibility and of information technology platforms are a hindrance.  Furthermore, some don’t know what to do if infected and why to do it. As a consequence, they might not be able to make informed decisions about how to behave. This lack of knowledge leads to the spread of the corona virus.

The Constitution of Kenya  brought a more liberal approach and provides for the right of access to information under Article 35. Every citizen has the right to access information held by the State and held by another person and required for the exercise or protection of another right. The creative sector can support access to information by using various communication approaches.

Covid-19 needs to be better understood by all people so that can make informed decisions. Information about COVID-19 ought to be transmitted in simple and easily accessible formats. African countries need to provide continuous education and awareness to their populations on the need to keep physical distancing, washing hands with sanitizers or soap frequently, and wearing masks.

We recognize that proficiency in world languages is essential tool for twenty-first-century citizens who increasingly need to communicate with the rest of the world. However, these languages are not spoken across the board. Marginalized communities in Africa, the Pacific Islands and South America marginalized – like all – have a right to clear, accurate, and accessible information about the disease and response efforts. They need information in a language and format they understand. It must also be presented in a way that is relevant to them, and available in a channel they can access and trust.

Women, older people, and people with disabilities in particular often have fewer educational opportunities and are less likely to speak or read a second language. Language barriers definitely leave these groups out of the loop during campaigns about the pandemic.

A new initiative from medical students and physicians at Harvard Medical School aims to help members of these communities by translating fact-based Covid-19 information. The initiative, known as the Covid-19 Health Literacy Project, has already translated essential Covid-19 information about prevention and possible treatment options, among other issues, in over 35 languages, including Navajo, Oromo and Kiswahili.

Where infection control limits face-to-face communication, social media, SMS services, call centers, television, and radio will be essential channels. Yet these can risk exacerbating inequalities and feelings of exclusion for some marginalized groups. Women, older people, people with disabilities, and less educated people are less likely to have access to mobile phones and the internet due to cost, connectivity and other factors.

The format in which information is presented affects how well it is understood. While even those who cannot read value written text, many people find pictorial, audio, and video content easier to understand. This role is well executed by the creative sector. They can also play a vital role in debunking misinformation, fake news, misconceptions and myths. Through storytelling, poetry, music, drama, film, visual art and other formats the sector can reduce COVID-19 related stigma and encourage people to get tested.  

 During pandemics, people look for inspiration from different places. Art can be a vital source of inspiration because art it is a universal language which informs, educates and entertains easily. Unlike other language which require a special blend of motivational and cognitive strategies which are impossible during a world emergency, art forms can be the channel for global and local communication.

Therefore, creative practitioners ought to be supported in order to develop content in the widest possible range of local languages, including formats suitable for the most vulnerable individuals 

HOW LOCKDOWN IS OPENING DOORS FOR NEW CREATIVE TALENT

The world has changed dramatically over the first three months of 2020, with the COVID-19 pandemic impacting almost every aspect of our lives. These changes have been clearly evident in the world’s digital behaviors too, especially as billions of people turn to the internet to help them cope with life as they work under lockdown.

Data Reportal analysis indicates that 4.57 billion people now use the internet, an increase of more than 7% since this time last year. Social media users are growing even faster, up by more than 8% since April 2019 to reach 3.81 billion today. 

Global social media use hasn’t quite reached the 50% penetration mark yet, but the latest trends suggest that is should reach the mark by end of 2020.

As people spend more time in their phones there has been a Big jumps in digital activity, we are looking at a generation of Lockdown stars.

Social media organizations have also come up with policies that aim to promote creativity and earn: Facebook recently announced on its Facebook Business page that you can now earn by simply going live on Facebook and YouTube now allows creatives to earn from content they produce around COVID-19.

As the environment is becoming more favorable, the ball technically now lies in the arms of creatives as pressure now arises to create fresh and new content every day.

A lockdown star, Moses Murage aka Zj Avexy raised Sh 430,000 in a live set in the now popular “254 Diaspora Djs Live on the Mix. Viewers were touched with his plight as he was the first deejay in the group to just use a laptop to entertain. The money was to help him buy proper equipment.

It was just a rainy day for Moses, but social media changed it.

With no gigs and bookings, it’s easy to lose hope but, the numbers don’t lie; the internet is flooded, an average person spends 4 hours a day in the internet, great opportunity to be a Star, if you use your social media aggressively.

It might not solve all your problems, but hey!! You will survive corona and you will have a name out there.

COVID-19 Resilience: Creative Industry Options and Strategies

Report by HEVA FUND

Concerned by the impact of the pandemic not only on physical health now, but on the livelihoods of creative industry practitioners in Kenya and in East Africa—especially those in live music and events, film, tours and tourism, general cultural heritage work, gaming, and other immersive experiences, fashion, and apparel, and more.

We took immediate steps to mobilize a creative and cultural sector response effort:

  • With a view to understanding the impact (short, medium, and long-term) of the pandemic;
  • To anticipate sector emergencies and needs, as well as to promote effective and evidence-based interventions.

We developed a sector needs analysis questionnaire, which we distributed on March 26th, 2020. It received over 510 individual responses from across the country—an exercise necessary for the development of an initial creative sector baseline. The findings were presented for internal review on April 8th, 2020, and then validated on April 29th, 2020, by 21 industry and association leaders representing several practitioner associations, national organizations, and leading creative sector agencies.

DOWNLOAD THE COVID-19 Resilience report : https://bit.ly/3c6hVyZ

OVERCOMING MENTAL ISSUES DURING THE LOCKDOWN

COVID-19 could lead to an epidemic of clinical depression, and the health care system isn’t ready for that, either.

As the number of coronavirus infections continues to rise, the likelihood more people will need to self-quarantine or self-isolate is becoming evident.

The Centers for Disease Control and Prevention recommends people self-quarantine if they are concerned they may become ill following possible exposure. Those who are actually sick with COVID-19, the new strain of coronavirus, should self-isolate, so as not to spread the disease to cohabitators. The recommended time period for both conditions is 14 days.

Quarantining yourself at home can play an important role in preventing the spread of infectious diseases. But this doesn’t mean that coping with the disruption in your normal routine is easy. While quarantine may be only temporary, even brief periods of isolation and loneliness can have negative consequences on both physical and mental well-being.

Quarantine is an effective way to prevent the transmission of infection but is potentially a source of stress from fears of infection and long isolation, frustration, boredom, inadequate information and supplies, financial loss, and stigma.

Effects of Past Quarantine Measures

While each circumstance is unique, looking at past events can provide a look into the psychological impact that quarantines may have. 

Between 2002 and 2004, more than 15,000 people in Toronto voluntarily went into quarantine due to exposure to severe acute respiratory syndrome (SARS). SARS, like COVID-19, is a contagious respiratory illness caused by a coronavirus.

For a period of around 10 days, these individuals were asked not to leave their homes, not to have visitors, to wear face masks around other family members, to avoid sharing personal items, and to wash their hands frequently, among other measures. Later research indicated that quarantined individuals experienced a range of both immediate and short-term psychological consequences.

In addition to the feelings of social isolation during quarantine, participants reported longer-lasting psychological distress for around a month afterward. Almost 29% of participants displayed PTSD symptoms, while 31.2% had depressive symptoms.

CAUSES OF MENTAL ISSUES DURING THE QUARANTINE

Interpersonal isolation

Prolonged Isolation  – our primary strategy to reduce the spread of the virus – adds another layer of risk. Our bodies are not designed to handle social deprivation for long. Past studies suggest that people forced to “shelter in place” will experience more depression. Those living alone and lacking social opportunities are at risk. 

Financial difficulties

The biggest stressor for many is financial. Unemployment and Economic losses will be severe. Research on post regression suggests that rising unemployment and financial insecurity lead to increased rates of depression and suicide. 

Possible Mental Health Effect of Coronavirus Quarantines

A 2019 review in The Lancet analyzed the results of past studies to get a better idea of how COVID-19 may impact those who are quarantined. The review found that psychological distress is common both during and after periods of quarantine. People commonly experienced:

There is some evidence that there may be longer-term consequences as well. Substance and alcohol dependency was more common up to three years after quarantine.

Things You Can Do to Cope

Researchers suggest that there are steps that may help mitigate some of the negative mental health effects of quarantine.

Establish Routines

Be proactive and layout an intentional structure for your day.

The disruption in your normal daily routines can be one of the most difficult aspects of quarantine. This can leave you feeling directionless as you try to figure out how to fill all the hours of the day. 

If you’re working from home, it can be helpful to structure your time much like a regular workday. This can be a challenge, however, if you’re at home with other family members, including children, who are now home all day as well. Left without the structure of a normal school day, kids can be left feeling just as out-of-sorts as adults.

If you’re trying to keep small kids entertained while stuck in the house, or even trying to keep working amidst it all, it’s important to find a routine that works for you. Plan out activities that will keep everyone busy so you can get some work done. Try creating a daily schedule, but don’t get too wrapped up in sticking to a strict routine. Make your own routines and break up the day in order to stave off monotony

Create

Anxious thoughts can be more difficult to escape in sustained isolation, such as the widespread lockdown measures due to the coronavirus pandemic, but arts and crafts have been shown to help distract from these feelings.

Creating something for ourselves and others also helps our sense of self-efficacy, or the belief in our own abilities according to Clinical neuropsychologist Katie Carey Levisay, who runs a private practice in Denver, Colorado. Using time purposefully has also been linked to lower depressive symptoms.

“The rewarding experience of creating, sharing, and using our time well all stimulate the reward centers in the brain to release ‘feel-good’ neurotransmitters (dopamine) and our endogenous opioids (endorphins),” she said. 

Be Physically Active

Even relatively short periods of physical inactivity can have an impact on your health, both mentally and physically. One study found that just two weeks of inactivity could lead to reductions in muscle mass and metabolic effects.

Fortunately, there are plenty of at-home workouts that can help keep you moving even when you are stuck inside the house. Your quarantine may be brief, but staying active may help you feel better and maintain your fitness levels. It’s also a great way to help combat the sense of malaise and boredom that can come from being stuck inside day after day.

At-Home Workout Ideas:

·         Exercise videos

·         Bodyweight exercises

·         Online workouts

·         Fitness apps

Communicate 

Staying in contact with other people not only staves off boredom, but it is also critical for minimizing the sense of isolation. Stay in touch with friends and family by phone and text. Reach out to others on social media. If possible, join a support group or discussion board specifically for people who are in quarantine. Talking to others who are going through the same thing can provide a sense of community and empowerment.

 Beware of Too Much Social Media

Use social media wisely. No doubt, social media is your friend when isolated. But resist scrolling through Facebook and Instagram endlessly; that won’t really feed your need for connection, but has been shown in some studies to actually make people feel left out or “less than.” Instead, use social media to meaningfully connect. Plan weekly (or even daily) group video chats with friends, family, neighbors or colleagues. Social connection is one of the most important drivers of well-being.

 Shift Your Mental Space

Finally, use principles of mindfulness to shift your mental stance from frustration about the situation to curiosity. Take on the mindset of an anthropologist or journalist observing a social experiment. Keep a journal (written, sketches, or video) of your experience during quarantine – what you did and how you felt day-by-day. Taking on this stance will give you a little distance, which can reduce distress, as well as keep you open to the positive or simply interesting things that may happen during this very unusual experience

HOW CREATIVES ARE HANDLING THE LOCKDOWNS AROUND THE WORLD?

Coronavirus isn’t just a public health crisis, it’s an economic one, the financial impact of the pandemic hasn’t been evenly distributed.

 As quarantine life in many countries around the world takes full effect, a lot is happening in the creative ecosystem, which is forcing creatives to change the way they work.

With everything on a standstill, Internet Culture is On the Move and seems to be growing at a very high rate. This has led to a new breed of creative influencers to emerge online. 

The explosive growth of content on social media both from new creators and from established makers demonstrates the power of the arts as a tool for expression. 

Social media platforms including YouTube, TikTok, and Instagram are reaching out to their creators all over the world to continue to make engaging videos during the lockdown as users turn to social media for entertainment.

On the other side, the Google-owned platform has kicked off a live series to enable creators to engage with their audience and has curated multiple playlists around popular themes like music, acting, cooking, workout, and dancing. It is conducting webinars to handhold creators with ideas around content creation during the lockdown and sharing tips on how to shoot indoors with minimum equipment and indoor lighting.

YouTube said average global daily uploads of videos with “at home” in the title increased over 590% since March 15th compared to their average uploads for the rest of the year.

 Creatives are working hard to make sure they are maintaining their creativity by constantly sharing their work, grow their audience, and most importantly earn from it.

The following are some ways creatives are following to maintain their audience and grow their brand during the Lockdown.

 Online event

Very popular in Kenya.

The audience is craving entertainment while being quarantined at home. This is where Facebook Live or Instagram Live comes in handy. It’s a great way to keep the audience engaged and build goodwill, as well as to sell your products. 

Some creatives Offer a special discount code to the first 100 people who stream your live event or create an “exclusive” behind the scenes look at a new product to customers on your email list.

Diversification 

During the lockdown, creatives have no other way to get income apart from going live and sharing their work., Creative entrepreneurs are seeking innovative ways of generating income during this period. While traditionally they would rely on physical performances, advertisements, and other avenues, these are becoming increasingly difficult to negotiate. Currently, four main streams are being used to create revenue: donations, merchandising, streaming, and endorsements.

Creatives pin their Mpesa, PayPal, or cash app on their live streams this allows them to accept donations. Other creatives are actively Selling Merchandise and products from their online channels.

 Other channels like Vimeo and youtube pay creatives according to the number streams: the more numbers in a stream the more money.

 Some organizations are approaching creatives because of their online numbers for advertising, e.g Dettol soap is actively using creatives in creating awareness on the COVID_19 and sensitizing their audience to use Dettol soap.

COMMUNICATION

Social media allows creatives to communicate proactively with their customers

The situation is evolving rapidly, and no one is quite sure what news each day will bring, social media, however, has played an important role as a communication channel.

This allows one to grow the audience. Getting the attention is helping creativity grow as a brand and following.

 New Content

With people world over having more time at home and a desire to be distracted from the dreary repetition of quarantine, coupled with a need to be entertained and informed, there has been an explosive growth in the quantity of content created and shared. 

There has never been a more perfect nexus of demand for content and, thanks to the internet, a means to distribute that content to such a wide audience.

The flooding of content on the internet during the Lockdown is a motivation to creatives to create fresh content suited to the current situation.

There is a lot of noise and nonsense on the Internet, but there are also some valuable gems too, and when the audience comes across them, it’s like someone lit a fire on a winter night in Iceland. People around the world are looking for great entertainment. Therefore, this poses a great challenge to creatives in Kenya and the rest of the world, who are looking to be that fire.

Creatives around the world have been actively creating content around COVID-19 so as to bring awareness to the pandemic.

PROMOTE EXISTING CONTENT (DIGITAL MARKETING)

Going digital with your services helps to continue to provide access to your audience who are sitting at home, wishing they could support your business.

Creative are Taking Advantage of the Online Courses

Creatives are taking time to learn from other creatives, from the available material on the internet. Classes like Branding, marketing, and how to use social media as an alternative source of income.